The Royal Alexandra Theatre, Toronto, completed in 1907 at a cost of $750 000, is one of the few surviving large professional theatres found in numerous Canadian cities at the turn of the century. It was designed by John LYLE in 1906 for a group of prominent businessmen headed by Cawthra Mulock.
The term "festival theatre" emerged in England in the nineteenth century to refer to special theatrical performances mounted to celebrate exceptional authors or dates. The festival held in 1864 at Stratford-Upon-Avon, England, to mark the tercentenary of Shakespeare's birth is an early example.
The new production of the rock opera Tommy opens on March 1. It features an all-Canadian cast, including the talented young lead, Tyley Ross. And it marks a triumphant homecoming for the show's director, former Torontonian Des McAnuff, who worked with Townshend to adapt it for the stage.
Centaur Theatre began with an annual budget of $120 000, leasing a 220-seat auditorium in the Old Stock Exchange building at 453 St. François-Xavier Street in Old Montréal. In 1974, the company purchased this historic building and spent $1.3 million in renovations designed by architect Victor PRUS.
English-language theatre in the Province of Québec in the late 18th and early 19th centuries was not confined to ALLEN'S COMPANY OF COMEDIANS. Other troupes, whose members came from theatre traditions in Britain and the continent, travelled to Québec via Albany or Boston in the United States.
Garth Drabinsky should be used to it by now. He makes a decision, or launches a new venture, or sees a company under his command overhauled in one of those headline-grabbing power plays that have become as much a Drabinsky trademark as mega-musicals like Show Boat and Ragtime.